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      • The Hunger Games: Mockingjay, Part 1 poster image

        The Hunger Games: Mockingjay, Part 1

        Michael Phillips, Chicago Tribune

        In honor of the title we'll break this part of the sentence with a colon, and then use a portentous dash: "The Hunger Games: Mockingjay -- Part 1" is a worthy third movie in the Suzanne Collins franchise -- destined to satisfy the legions of filmgoers willing to swing with a lot of scheming and skulking in an underground bunker resembling the world's most frightening Marriott, in order to get to the revolution. The third book in Collins' dystopian-literature juggernaut has been halv... (read more)

      • Beyond the Lights poster image

        Beyond the Lights

        Roger Moore, Chicago Tribune

        "Beyond the Lights" is another pain-behind-the-music romance. But it's so well written, cast and played that we lose ourselves in the comfort food familiarity of it all. This hip-hop-era "Bodyguard" has heart and soul, thanks to stars Gugu Mbatha-Raw, Minnie Driver and Nate Parker. Simple as it is, it simply works. Mbatha-Raw shows a totally different set of skills from those on display in her breakout period piece hit "Belle." As rising hip-hop phenom Noni, she ... (read more)

      • Dumb and Dumber To poster image

        Dumb and Dumber To

        Roger Moore, Chicago Tribune

        Twenty years after they permanently lowered the bar on broad and dumb character comedies, Lloyd and Harry are back, "Dumb and Dumber" than ever in "Dumb and Dumber To." And within moments of the opening credits, you may find yourself overcome with sentimental warmth at seeing two 50-something actors as characters that the years have not made smarter. Jim Carrey and Jeff Daniels energetically reprise their popular roles, and the warmth follows. Those fart joke farceurs, the... (read more)

      • Foxcatcher poster image

        Foxcatcher

        Michael Phillips, Chicago Tribune

        Does extreme privilege point, like an arrow, to a sort of rot within the true-blue American spirit? Putting criminal insanity aside for a moment, the answer's a qualified, sorrowful yes in director Bennett Miller's "Foxcatcher," a true-crime drama hailed in many quarters as a modern classic since it debuted six months ago at the Cannes Film Festival. Sometimes you encounter a movie begging to be revisited a decade from now, simply to see which one of you has changed more in the inte... (read more)

      • The Homesman poster image

        The Homesman

        Michael Phillips, Chicago Tribune

        In its setting and in its blunt, unfussy style, director, co-writer and star Tommy Lee Jones' "The Homesman" is a film out of time. It takes place in 1855, the year after the creation of the Nebraska Territory. Like Jones' previous theatrical feature, the excellent "Three Burials of Melquiades Estrada," "The Homesman" expands the conventional notion of what Westerns typically address in terms of story, geography and mythology. This one's a margin Western. Frustra... (read more)

      • Big Hero 6 poster image

        Big Hero 6

        Michael Phillips, Chicago Tribune

        "Big Hero 6" we have a robot considerably more beguiling than his movie. Yet there's enough visual invention afoot, and enough spirited interplay among the human characters, to keep things bobbing along. Baymax is the name of the robot in question. He resembles a flotation device or the Michelin Man's blobbier brother. He and his adventures come from the pages of Marvel Comics, which marks a first for Disney animation. It will not be the last; Disney's purchase of Marvel five years ... (read more)

      • Interstellar poster image

        Interstellar

        Michael Phillips, Chicago Tribune

        A knockout one minute, a punch-drunk crazy film the next, "Interstellar" is a highly stimulating mess. Emotionally it's also a mess, and that's what makes it worth its 165 minutes -- minutes made possible by co-writer and director Christopher Nolan's prior global success with his brooding, increasingly nasty "Batman" films, and with the commercially viable head-trip that was "Inception." You can call "Interstellar" corny or reiterative or just plain dau... (read more)

      • Rosewater poster image

        Rosewater

        Michael Phillips, Chicago Tribune

        How many casual American moviegoers would be interested in "Rosewater" if an unknown Jon had written and directed it, instead of Jon Stewart, famous "Daily Show" host and first-time feature filmmaker? Well, Stewart did direct "Rosewater," and even with its limitations, the film works. Stewart has serious, dramatically astute talent behind the camera, as well as (big shock) a sense of humor. He's telling his fictionalized version of the story of Maziar Bahari, a L... (read more)

      • The Theory of Everything poster image

        The Theory of Everything

        Michael Phillips, Chicago Tribune

        Relationally, you can't entirely trust what you're seeing in "The Theory of Everything," the romanticized portrait of astrophysicist superstar Stephen Hawking and his many years spent with his first wife, Jane Hawking. Yet biopics are funny this way: Even satisfying ones can fudge and elide and gloss over any number of difficulties, while in this instance offering a steadily absorbing and movingly acted depiction of a marriage whose time comes, and then goes. Eddie Redmayne, last se... (read more)

      • Horns poster image

        Horns

        Michael Phillips, Chicago Tribune

        If "Horns" had the zip of the source novel's first two paragraphs, we'd have a movie instead of a mess. The book, published in 2010, begins by laying out the dilemma author Joe Hill invents for his protagonist. Ignatius "Ig" Perrish has a hangover, and the morning after a night of unspecified "terrible things," he puts his hands to his temples and realizes he has a "pair of knobby pointed protuberances" where none used to be. A murder mystery, "Hor... (read more)

      • Nightcrawler poster image

        Nightcrawler

        Michael Phillips, Chicago Tribune

        Jake Gyllenhaal lost 30 pounds for his new movie, "Nightcrawler," and the result is simple and eerie, much like the film itself. He appears to be wearing a Jake Gyllenhaal mask, all cheekbones, sallow complexion and unblinking laser-beam eyes. His character is Lou Bloom, a freelance LA crime scene videographer. Is this man human, exactly? Lou's small talk leans heavy on the self-help axioms and self-directed pep rallies; it's as if he were an alien learning to pass for earthling by ... (read more)

      • Laggies poster image

        Laggies

        Michael Phillips, Chicago Tribune

        In "Laggies," Keira Knightley tries on a generic American dialect. Based on the results, the actress defines that as "nasal, and how!" Her character, Megan, is 28 years old and a Seattle native. She has thus far let life happen to her, and around her. She lacks a career (she freelances as a sign-twirler for her accountant father, played by Jeff Garlin) and finds herself through another year of a lengthy relationship with her boyfriend, nice but dull, played by Mark Webber.... (read more)

      • Low Down poster image

        Low Down

        Michael Phillips, Chicago Tribune

        It'll be a chilly day in hell before John Hawkes gets an Oscar nomination for his work in the cinematic memoir "Low Down," given the focus on Michael Keaton for "Birdman" and Benedict Cumberbatch for "The Imitation Game" and so on. So be it. "Low Down" is small, with virtually no marketing behind it. It's also very good. Hawkes breaks your heart as a man struggling with addiction and disappointment. The actor, who first came to wide attention in "W... (read more)

      • St. Vincent poster image

        St. Vincent

        Michael Phillips, Chicago Tribune

        For all the boozed and abusive amusement provided by the great Bill Murray in the good-enough "St. Vincent," the moment I liked best was Naomi Watts as a pregnant Russian stripper, manhandling a vacuum across the Murray character's ancient carpet. In movies as in life, it's the little things. In another scene, the alcoholic, misanthropic Vietnam vet played by Murray is locking horns with a snippy young teller at his bank. In frustration Murray thunks his forehead against the glass. ... (read more)

      • Birdman or (The Unexpected Virtue of Ignorance) poster image

        Birdman or (The Unexpected Virtue of Ignorance)

        Michael Phillips, Chicago Tribune

        "Birdman" proves that a movie -- the grabbiest, most kinetic film ever made about putting on a play -- can soar on the wings of its own technical prowess, even as the banality of its ideas threatens to drag it back down to earth. Much of what you've heard is true. The movie's just plain fun to watch. Its star, Michael Keaton, is someone everyone likes and many love, an actor who made millions on "Batman" and settled for a different level of fame and smaller pieces of small... (read more)

      • Dear White People poster image

        Dear White People

        Michael Phillips, Chicago Tribune

        So many movies come out of the Sundance Film Festival, and others like it, laden with praise but oddly short on narrative invention, visual instincts and a story with something on its mind. Heartiest congratulations to "Dear White People," which is equipped with all three. It's a slyly provocative achievement and a serious calling card for its writer-director, Justin Simien. He sets his ensemble affair on the campus of the fictional Ivy League enclave Winchester University, where Af... (read more)

      • Alexander and the Terrible, Horrible, No Good, Very Bad Day poster image

        Alexander and the Terrible, Horrible, No Good, Very Bad Day

        Roger Moore, Chicago Tribune

        Whatever else children take from Judith Viorst's delightful "Alexander and the Terrible, Horrible, No Good, Very Bad Day," the sly subtext of this picture-heavy book is how exhausting and sometimes misguided the optimism of the eternally optimistic can be. Parents who smile all the time, who make light of the weight of the world kids carry around sometimes? Annoying, especially to those kids. That's what the film version kicks around the block, and rather amusingly, a few times. Lif... (read more)

      • Kill the Messenger poster image

        Kill the Messenger

        Roger Moore, Chicago Tribune

        "Kill the Messenger," the film about journalist Gary Webb's shocking newspaper stories that connected the Reagan-era CIA to America's crack epidemic, shows just how hard it is to film investigative journalism as a drama and get it right. The film about a reporter destroyed by a story that turned out to be one of the great scoops of all time feels muted, more compelling than riveting. But Jeremy Renner dazzles as Webb, giving him both the swagger of a guy willing to take on the CIA a... (read more)

      • One Chance poster image

        One Chance

        Annlee Ellingson, Chicago Tribune

        Before Susan Boyle there was Paul Potts, a schlubby car-phone salesman from Wales who blew Simon Cowell and his fellow judges away on the first episode of "Britain's Got Talent" with his rendition of Puccini's aria "Nessun Dorma." The son of a steelworker with a chipped front tooth and the voice of an angel won that first season of the reality show, but his progression through the competition is just an afterthought in "One Chance," the story of his life leading ... (read more)

      • Annabelle poster image

        Annabelle

        Michael Phillips, Chicago Tribune

        The devil-doll lark "Annabelle" exists to make its host movie, last year's excellent "The Conjuring," look even better by comparison. As prequels go, it's not bad, though a couple of things keeping it from amounting to more are worth discussing, briefly, before we all get back to our lives. Here's one drawback: It looks like cheap digital crud. Horror fans are used to lo-fi visual scares, especially in the found-footage genre, but "Annabelle" is not one of those ... (read more)

      • Gone Girl poster image

        Gone Girl

        Michael Phillips, Chicago Tribune

        David Fincher's film version of the Gillian Flynn bestseller "Gone Girl" is a stealthy, snake-like achievement. It's everything the book was and more -- more, certainly, in its sinister, brackish atmosphere dominated by mustard-yellow fluorescence, designed to make you squint, recoil and then lean in a little closer. So often in Fincher's movies, and especially in this one, actors are placed precisely against a window, or in shadows surrounded by low-wattage electric light sources. ... (read more)

      • Left Behind poster image

        Left Behind

        Michael Phillips, Chicago Tribune

        And away we go! A little traveling music, please, for the Rapture, the special guest star of "Left Behind," starring a sadly becalmed Nicolas Cage as a married airline pilot whose unconsummated lust for a cheap harlot of a flight attendant, played by Nicky Whelan, is enough to bring on God's wrath, the end of days and a cycle of protracted calamity, starting with the film itself. Make that a cycle-ette. We don't see much actual calamity in director Vic Armstrong's picture, described... (read more)

      • The Good Lie poster image

        The Good Lie

        Roger Moore, Chicago Tribune

        The saga of Sudan's "Lost Boys" -- following refugees who wound up in America after fleeing the civil war there -- earns an engaging, tear-jerking retelling in "The Good Lie," a fictionalized account of what faced them. Sudanese children, often orphaned, fled the country in the 1980s and spent much of the '90s in refugee camps in neighboring countries. About 3,600 of them were allowed to emigrate to America pre-9/11. "The Good Lie" follows a handful of them, from... (read more)

      • Jimi: All Is by My Side poster image

        Jimi: All Is by My Side

        Andrew Barker, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips Variety The first thing to know about John Ridley's "Jimi: All Is by My Side" is that the writer-director was unable to secure rights to any of Jimi Hendrix's original songs or recordings: This turns out to provide both the film's biggest strength and biggest shortcoming. Less a traditional biopic than a strategically limited portrait of a particular time, place and person, the film effectively brings pre-stardom Hendr... (read more)

      • The Boxtrolls poster image

        The Boxtrolls

        Michael Phillips, Chicago Tribune

        Fans of "Coraline" and "ParaNorman," the deft, eccentric supernatural fairy tales created by Oregon-based Laika animation house, have every reason to anticipate "The Boxtrolls." Laika's latest feature is based on Alan Snow's 2005 book "Here Be Monsters!" part one of "The Ratbridge Chronicles." For the film's purposes, the mythical hilltop town of Ratbridge has changed its name to Cheesebridge. Something else has changed en route to the screen.... (read more)

      • The Equalizer poster image

        The Equalizer

        Michael Phillips, Chicago Tribune

        Based loosely on the 1985-1989 television series, on which Edward Woodward never stuck garden shears in an enemy's throat and never, ever stabbed anyone through the neck with a corkscrew, "The Equalizer" smells like a hit. But I wish it had one completely honest scene, where (for example) someone asks the avenging angel-hero: "Who are you?" And he answers: "I'm Denzel Washington. And Denzel Washington can make even this thing watchable." More and more with action... (read more)

      • The Maze Runner poster image

        The Maze Runner

        Michael Phillips, Chicago Tribune

        Forever indebted to H.G. Wells, William Golding and other cranky visionaries, the hardy, cockroach-like "Hunger Games"/"Divergent" genre has a nickname: "dyslit," after the dystopian best-sellers in which young adult protagonists must prove their physical and mental prowess and lead the revolution to save what's left of their crummy old world. The first "Hunger Games" movie came out in 2012. (Has it really only been two years?) Because that film was so ... (read more)

      • The Skeleton Twins poster image

        The Skeleton Twins

        Michael Phillips, Chicago Tribune

        Some weeks at the movies are like this. You settle for wonderful actors doing some wonderful acting with scripts that support those efforts even as they limit them. In "The Skeleton Twins," Kristen Wiig and Bill Hader play Maggie and Milo, grown twins who haven't seen each other in 10 years. In the opening shots Wiig's character, an unhappily married Nyack, N.Y., woman who's gotten a little too comfortable lying to her husband (Luke Wilson), stands in her bathroom with a fistful of ... (read more)

      • This Is Where I Leave You poster image

        This Is Where I Leave You

        Michael Phillips, Chicago Tribune

        Going by the new ensemble comedy "This Is Where I Leave You," you'd think Tina Fey was a medium acting talent at best, prone to overstatement and eye-rolling. Performers can't do it alone; they need guidance. But in the movies, very often performers end up doing solo acts in proximity to other solo acts, and the camera's either in the wrong place or the director and the editor hack up simple two-person conversations into frantic, competing moments. There's one bit in director Shawn ... (read more)

      • Tracks poster image

        Tracks

        Michael Phillips, Chicago Tribune

        All filmgoers have their blind spots, their sore spots and their limits. You may, for example, read about the new film "Tracks," based on the 1980 travel memoir by Robyn Davidson. If Davidson's story is foreign to you, and you know only that the film's about a free spirit who spent nearly a year crossing 1,700 miles of Australian desert with four camels and a dog, you might think: No thanks, I'll just dig up the May 1978 National Geographic magazine with Davidson on the cover someti... (read more)

      • Tusk poster image

        Tusk

        Michael Phillips, Chicago Tribune

        Civilians and critics alike, a lot of them, loved "Tusk" in Toronto, where it played the Midnight Madness sidebar of the international film festival earlier this month. And it's fun to have writer-director Kevin Smith, of "Clerks" and "Dogma," whose filmmaking star has fallen while his podcasting prowess has risen, once again at the center of a debate or two. The chief argument regarding his "Human Centipede" riff is pretty basic: good trash or stupid t... (read more)

      • Dolphin Tale 2 poster image

        Dolphin Tale 2

        Roger Moore, Chicago Tribune

        You might have thought "Dolphin Tale," the sleeper hit kids' film of a few falls back, was a complete, compact and uplifting story that didn't really need a second act. If so, you were on the money. It was the fictionalized account of the true story of Winter, a badly injured dolphin who was rescued by the Clearwater (Fla.) Aquarium, and how a prosthetic tail was fabricated for her, allowing her to swim and survive and inspire veterans, cancer survivors and accident victims of all a... (read more)

      • The Drop poster image

        The Drop

        Michael Phillips, Chicago Tribune

        Even a terrible actor could win friends and influence moviegoers in the role of Bob, a sweetie-pie Brooklyn bartender who saves an injured pit bull puppy from a garbage can in the opening minutes of "The Drop," expanded by screenwriter Dennis Lehane from his own short story, "Animal Rescue." For the record, Tom Hardy is not a terrible actor. He's an excellent one. In "The Drop," Hardy, brandishing (or, rather, Brando-ishing) an outer-borough dialect and mumble, i... (read more)

      • Last Days in Vietnam poster image

        Last Days in Vietnam

        Michael Phillips, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips Rory Kennedy's exceptional documentary "Last Days in Vietnam" will be broadcast in April on the long-running PBS series "American Experience." But it holds up on a bigger screen and deserves a large audience earlier than that. Ideally that audience includes younger viewers, for whom many of the specifics of Saigon's 1975 fall will be news. But it'll be of particular interest to older audiences who have a fogg... (read more)

      • The November Man poster image

        The November Man

        Roger Moore, Chicago Tribune

        Pierce Brosnan's perfect hair barely budges in the breeze, he fixes his eyes in that narrowed, steely stare and you remember, yes, he was a pretty good James Bond. But he's not Bond, not at 61. He's this fellow named Devereaux, and back in the day, when he showed up for an assignment it was like winter had hit. Everything was dead. That's why they called Devereaux "The November Man." Here's a humorless, muddled, bloody and generally unpleasant thriller about an ex-agent sucked back ... (read more)

      • Frank Miller's Sin City: A Dame to Kill For poster image

        Frank Miller's Sin City: A Dame to Kill For

        Michael Phillips, Chicago Tribune

        I'm not sure what mood I'd have to be in to truly enjoy "Sin City: A Dame to Kill For." But I'm not in it. Is it because crime scenes in Ferguson, Mo., and Chicago and the rest of the real world -- where senseless killings are supposed to matter -- are hindering my ability to kick back with some recreational slaughter? Maybe. On the other hand, millions of devotees of the 2005 "Sin City" and its halfway point between "real" and digitally illustrated sadism will b... (read more)

      • If I Stay poster image

        If I Stay

        Michael Phillips, Chicago Tribune

        Artfully assaultive, "If I Stay" is better than average young adult material, cleverly adapted from Gayle Forman's 2009 novel about a teenage cellist experiencing true love, a terrible car crash and magical realism for the first time. Young adult fiction comes in too many shapes, sizes and qualities to court generalizations. But here goes. Director R.J. Cutler, who comes out of documentaries, reality TV ("Flip That House") and series television ("Nashville"), has... (read more)

      • Love Is Strange poster image

        Love Is Strange

        Michael Phillips, Chicago Tribune

        Something wonderful happens in the final minutes of "Love Is Strange." A careful, humble examination of a marriage opens up emotionally, thanks in large part to co-writer and director Ira Sachs' use of a gorgeous lullaby, Chopin's Berceuse Op. 57 in D-flat major. From the moment a key supporting character at last allows himself to grieve the loss of a loved one, up through the ensuing 11 or 12 exterior shots, photographed on the streets of New York alive with renewal and young love,... (read more)

      • Life After Beth poster image

        Life After Beth

        Michael Phillips, Chicago Tribune

        Aubrey Plaza is so deadpan she's undeadpan, and not just in her new zombie movie. Playing April, Indiana's snarkiest state employee on "Parks and Recreation," the actress who'd be most likely mistaken for the MTV animated show goddess "Daria" slings so many bizarrely timed and unpredictable line readings at her skillful cohorts, with such straight-faced topspin, sometimes you don't know if you're in the company of an actress's extraordinarily practiced shtick or some kind ... (read more)

      • The Expendables 3 poster image

        The Expendables 3

        Michael Phillips, Chicago Tribune

        No pensions were harmed in the making of "The Expendables 3," the latest in the continuing saga of Sylvester Stallone's mission to provide a work week or two to as many of his old pals as possible. Also these movies make money, so there's a larger imperative. This one reportedly cost $90 million. It looks more like $30 million. I think audiences respond to the general air of cheapness in this franchise; it's part of the fun, the tinny macho ridiculousness of it. The cast list is lon... (read more)

      • The Giver poster image

        The Giver

        Michael Phillips, Chicago Tribune

        At this point in the dystopian movie cycle, I'm ready for a story about a teenager with zero interest in questioning the system, let alone starting a revolution. A spineless conformist -- that's what the genre needs. Meantime there's "The Giver," director Phillip Noyce's film version of the 1993 Lois Lowry best-seller, which remains a staple of the young adult shelves alongside the "Hunger Games" and "Divergent" books. So here we are again. It's the future. Life ... (read more)

      • Let's Be Cops poster image

        Let's Be Cops

        Roger Moore, Chicago Tribune

        McClatchy Newspapers The laughs are loud, lewd and low in "Let's Be Cops," a spoof of cop "buddy pictures" that is pretty much the definition of an August comedy. The last month of summer is typically a dumping ground for titles studios don't have high hopes for. Sometimes that's due to the lack of marketable stars. Sometimes, they're just too hard to market, period. And sometimes, if they're comedies, it's because the belly laughs are few and far between. All of those app... (read more)

      • Into the Storm poster image

        Into the Storm

        Michael Phillips, Chicago Tribune

        Like "The Passion of Joan of Arc," "Ma and Pa Kettle at Waikiki" and "Dude, Where's My Car?" "Into the Storm" is a movie. And like the wind, this particular movie blows tall, unstable columns of hot air willy-nilly. In the spirit of "Sharknado" and "Sharknado 2," "Into the Storm" eventually goes into blender mode and mixes its elements of wind column terror, smoothie-style. At one point one of the twisters (there are severa... (read more)

      • A Most Wanted Man poster image

        A Most Wanted Man

        Michael Phillips, Chicago Tribune

        It's impossible to watch the character anchoring Anton Corbijn's cool, clear-eyed film version of "A Most Wanted Man" without forgetting the fate of the bleary-eyed but fantastically vital actor who plays him. Philip Seymour Hoffman died of a drug overdose in February after completing work on what became his final starring role in the movies. As Gunther Bachmann, the patient, alert German intelligence expert created by novelist John le Carre, Hoffman smokes constantly. The character... (read more)

      • Get On Up poster image

        Get On Up

        Michael Phillips, Chicago Tribune

        Everything about "Get on Up," a provocatively structured and unusually rich musical biopic, is a little better, a little less formula-bound, a little sharper than the average specimen in this genre. I'm surprised it's this good, given that director Tate Taylor is coming off "The Help," a sweet fraud of a civil rights fable saved by Viola Davis and Octavia Spencer. They play key supporting roles in "Get on Up." What Taylor achieves in his James Brown story works a... (read more)

      • Guardians of the Galaxy poster image

        Guardians of the Galaxy

        Michael Phillips, Chicago Tribune

        Like the '70s cassette mix tape so dear to its hero, "Guardians of the Galaxy" scavenges all sorts of "greatest hits" precedents, from "Iron Man" on down, to come up with its own summertime fling. It's looser, scruffier and more overtly comic than the average Marvel action fantasy. And despite the usual load of violence, not all of it properly handled, the film owes its relative buoyancy above all to Chris Pratt as the wisecracking space rogue at the helm. There ... (read more)

      • Lucy poster image

        Lucy

        Michael Phillips, Chicago Tribune

        Le schlockmeister Luc Besson has no beef with men and guns, or he wouldn't have made the "Transporter" movies with Jason Statham. Or written "Taken." But in the world according to Besson, older girls ("La Femme Nikita") and young women in wee skirts and stiletto heels, gliding in slow motion toward their latest deserving victims of firearm violence, carrying nicely polished automatic weapons in each perfectly manicured hand -- that's the stuff, that's what makes ... (read more)

      • Magic in the Moonlight poster image

        Magic in the Moonlight

        Michael Phillips, Chicago Tribune

        Among recent Woody Allen films, the crabby but pretty "Magic in the Moonlight" is a well-thumbed playing card from the middle of the deck, not one of his fully good ones ("Midnight in Paris," "Vicky Cristina Barcelona"), not one of the whiffs ("Cassandra's Dream," "Scoop," "You Will Meet a Tall Dark Stranger"). The new one's set in 1928 in the south of France, where people really do seem on the verge of asking, "Tennis, anyone?&... (read more)

      • Alive Inside poster image

        Alive Inside

        Kenneth Turan, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips Think of them as Lazarus moments. One by one, we are introduced to a series of elderly people with serious dementia. People who've barely said a word in years, who don't recognize their children, who sit around nursing homes like the living dead. Then Dan Cohen does something to them, and it's like a switch has been turned on. They become gloriously happy and alive. As detailed in the joyous, unexpectedly uplifting "Alive I... (read more)

      • Boyhood poster image

        Boyhood

        Michael Phillips, Chicago Tribune

        By the midpoint of writer-director Richard Linklater's gentle marvel "Boyhood," the round-faced young Texas boy played by Ellar Coltrane has become a lanky, plaintive teenager. Already an hour or so of screen time has floated by. Linklater made the film with a core group of actors over a 12-year period, starting with the kids played by Coltrane and Linklater's daughter, Lorelei Linklater, at ages 7 and 9, respectively. They change so quickly, these two. As the characters become teen... (read more)

      • Mood Indigo poster image

        Mood Indigo

        Roger Moore, Chicago Tribune

        The eccentric whimsy and invention overfill the screen of Michel Gondry's "Mood Indigo," an adaptation of a novel by the Frenchman who wrote "I Spit on Your Graves." Set in an alternate "Brazil"/"Delicatessen"/"Eternal Sunshine of the Spotless Mind" reality, it's a blur of queer gadgets and odd doodads, see-through limousines and dinner tables on roller skates, all in a tale concocted by an office full of women clattering at a conveyor belt of... (read more)

      • Dawn of the Planet of the Apes poster image

        Dawn of the Planet of the Apes

        Michael Phillips, Chicago Tribune

        Three summers ago "Rise of the Planet of the Apes" proved it's possible to reboot a franchise while avoiding that sinking feeling of movie capitalism at its dumbest. Now, in a disappointing July dominated with a shrug by "Transformers: Age of Extinction," the follow-up "Dawn of the Planet of the Apes" has arrived. Just in time. The nation's multiplexes need a solid hit to save face and lend the impression that all's right with the business preferences and practic... (read more)

      • Life Itself poster image

        Life Itself

        Michael Phillips, Chicago Tribune

        The fine, fond Roger Ebert documentary "Life Itself" is finally in a theater in Chicago, Landmark's Century Centre Cinema, starting opening in limited release Friday. It's also available from July 4 onward on iTunes and various video-on-demand formats. On July 11, the film opens in Highland Park. We all have our preferences, but a traditional movie house really is the best place to embrace director Steve James' internationally beloved subject. Ebert's mellifluous intellect and opini... (read more)

      • Can a Song Save Your Life? poster image

        Can a Song Save Your Life?

        Kenneth Turan, Chicago Tribune

        "Begin Again" is an insistent puppy of a movie, just about willing you to like it. And while it has appeal -- you'd have to be a troll to resist it completely -- you may end up wanting to enjoy it more than its qualities will allow. Starring Keira Knightley and Mark Ruffalo, "Begin Again" is the latest film by John Carney, responsible for the landmark "Once," and although comparisons are invariably unfair, the two films have so much in common that the question of... (read more)

      • Earth to Echo poster image

        Earth to Echo

        Roger Moore, Chicago Tribune

        McClatchy Newspapers "Earth to Echo" is an engagingly unassuming "E.T." knockoff, a kids movie that serves up a similar alien-with-kids story in a "Blair Witch"/ "Paranormal" shaky-cam package. Disney produced it, but then sold it to Relativity. Cast with cute, likable kids, given a few decent effects and having that found-footage "reality," it doesn't have the financial or emotional heft of the mythic "phone home" tale. But it works... (read more)

      • Tammy poster image

        Tammy

        Michael Phillips, Chicago Tribune

        Small favors, but in "Tammy" we have a less grating road-trip comedy than "Identity Thief," the one Melissa McCarthy did with Jason Bateman, and a more deliberately heartwarming vehicle than "The Heat," featuring McCarthy and Sandra Bullock. In McCarthy, we have a performer we can trust to deliver laughs even when they barely exist on the page. The "Mike & Molly" star and Oscar nominee (for "Bridesmaids") produced and co-wrote her latest with ... (read more)

      • Transformers: Age of Extinction poster image

        Transformers: Age of Extinction

        Christopher Borrelli, Chicago Tribune

        "Transformers: Age of Extinction," the fourth installment of Michael Bay's $2.6-billion blue-chip franchise about a race of super robot freedom fighters that wear codpieces (to hide the junk under their trunk) and appear fundamentally incapable of not banging into stuff (even when these things are in an open field they find the one barn or tractor for miles around to collide with), is an aggressively charmless act of digital confetti. It is scattered, weightless, impossible to get h... (read more)

      • Jersey Boys poster image

        Jersey Boys

        Michael Phillips, Chicago Tribune

        "Jersey Boys" the movie is a different, more sedate animal than "Jersey Boys" the Broadway musical. Often this happens when a stage success comes to the screen, even with many of the same performers and artistic team members on board. Changes are made; ardent fans of the original are variously pleased or disappointed. And in this case, those who missed the theatrical edition of the tale of Frankie Valli and the Four Seasons -- how they found their sound and wrestled with t... (read more)

      • 22 Jump Street poster image

        22 Jump Street

        Michael Phillips, Chicago Tribune

        The peculiar sweetness of "21 Jump Street" has taken a hiatus in "22 Jump Street," a brazen sequel that's both slightly disappointing and a reliable, often riotous "laffer" in the old Variety trade-magazine parlance. No question about it, I laffed, more at the little things -- Channing Tatum trying to cut glass with a laser pointer, for example -- than the brawls. And now it's crow-eating time. For a long time I misjudged Channing Tatum's abilities; not too many ... (read more)

      • Edge of Tomorrow poster image

        Edge of Tomorrow

        Michael Phillips, Chicago Tribune

        Insanely derivative, frenetically enjoyable, "Edge of Tomorrow" takes gaming to a new level of big-screen indulgence, sending Tom Cruise and Emily Blunt through the same alien-invasion scenario over and over until they learn how to win, put down the consoles and get off the couch for a little lunch and some fresh air, maybe. The film is based on a Japanese graphic novel "All You Need is Kill." It owes a tremendous amount of its structure, and appeal, to "Groundhog Day... (read more)

      • Maleficent poster image

        Maleficent

        Michael Phillips, Chicago Tribune

        The formula works. It worked with "Wicked" on stage and it worked with "Frozen" on film -- tilting the storytelling prism so that a new angle on a well-known fairy tale appears in the light. The strategy depends on humanizing characters formerly known as evil, so that another tale of conflicted impulses emerges from the story we know, driven by female antagonist/protagonist hybrids who aren't bad, just misunderstood. So it goes with "Maleficent," the Disney corpo... (read more)

      • Cold in July poster image

        Cold in July

        Betsy Sharkey, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips Only in Texas could the neo-noir of "Cold in July" be so believable. I say that as a fan of both the state and the style. This striking new entry in pulp fiction stars Michael C. Hall, Sam Shepard and Don Johnson in a tangled tale of crime and punishment that mines the Lone Star lore of guns and killing. Written and directed by Jim Mickle and based on Joe R. Lansdale's novel, "Cold's" threatening mood puts it... (read more)

      • Million Dollar Arm poster image

        Million Dollar Arm

        Michael Phillips, Chicago Tribune

        Partly it's the granite chin, and the ever-so-slightly self-congratulatory grin just above it. Partly it's his signature role, the duplicitous hollow man Don Draper on "Mad Men," the role Jon Hamm has been fortunate enough to explore the past few years. Whatever the factors, Hamm may always have to guard against a certain self-regard on camera, a mild-to-moderate case of peacock-itis. The actor, like many a well-known star before him, has the blessing and the sometime curse of the r... (read more)

      • Chef poster image

        Chef

        Michael Phillips, Chicago Tribune

        Jon Favreau's "Chef" has one goal: to make you want to eat Cuban sandwiches twice a day for the rest of your life. Meat-eating moviegoers of all palates will have a difficult time controlling their drool, thanks to writer-director-star Favreau's close-ups of a snazzy food truck grill in action, sizzling, sizzling away, the ham looking like heaven, to say nothing of the bread and the pickles. Then, just when things have dried up in the region of your chin, Favreau presents a sequence... (read more)

      • Ida poster image

        Ida

        Michael Phillips, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips One of the year's gems, photographed in velvety, expressive black-and-white by two different cinematographers working as one, "Ida" accomplishes so much, so surely in its 80 minutes, it's as if the director Pawel Pawlikowski had dared himself: How can I tell this fascinating story efficiently yet without rushing and abridging the narrative? His answer is the film itself, set in early 1960s Poland, not so many years aft... (read more)

      • Locke poster image

        Locke

        Michael Phillips, Chicago Tribune

        "Locke" is a solo act, and Tom Hardy is its superbly talented soloist. Throughout writer-director Steven Knight's nocturnal drama, the actor, deploying a Welsh accent, keeps his voice in a calm, determined register, suggesting a born manager and innate control freak whose life has spun atypically out of control. This man knows the best way to talk someone off a ledge does not involve matching or exceeding their emotions. Hardy, Mr. Intensity always, tamps down the character's inner ... (read more)

      • The Other Woman poster image

        The Other Woman

        Michael Phillips, Chicago Tribune

        Hollywood years are like dog years, which means 17 years is a long time. Seventeen years ago Cameron Diaz played the chipper second banana, the other woman, in the Julia Roberts vehicle "My Best Friend's Wedding." While that movie really belonged to Rupert Everett, the sunny goodwill flying out of every single one of Diaz's pores cast a nice warm glow over the Chicago-filmed diversion. Diaz has long since proven she can tackle various leading roles, and in the unsteady revenge comed... (read more)

      • Draft Day poster image

        Draft Day

        Michael Phillips, Chicago Tribune

        "Draft Day" feels like a play, and I don't mean a football play. It feels like a play-play at its sporadic best, in the same way J.C. Chandor's 2011 "Margin Call" felt that way. Set mostly in a series of offices across 13 hours in a pressure-cooked day, the film lives and dies on the low-key, take-it-easy spectacle of Kevin Costner maneuvering his way through an administrative obstacle course, crises intermingling with draft-pick opportunities. Costner plays Sonny Weaver J... (read more)

      • Only Lovers Left Alive poster image

        Only Lovers Left Alive

        Sheri Linden, Chicago Tribune

        With the YA swoon of "Twilight" safely in the rearview mirror, movie vampires get their mojo back in the sensuous dreamscape of "Only Lovers Left Alive," one of the strongest films yet from Jim Jarmusch. A filmmaker with a deep affection for outsiders, Jarmusch sets his ode to the urbane undead -- and margin-dwelling artists -- in two ultra-poetic cities: Detroit, a vision of trampled grandeur on the cusp of rebirth, and worldly Tangier, its alleyways alive with the murmur... (read more)

      • Rio 2 poster image

        Rio 2

        Michael Phillips, Chicago Tribune

        In the commercial animation realm, there are movies that reach for something, or many things. Others are content merely to baby-sit. The 2011 hit "Rio" was a baby sitter. And so is "Rio 2," a routine sequel following the perilous adventures of the rare blue macaws Blu (wow, clever character name), Jewel and their offspring as they leave urban Rio life for a chaotic trip to Amazon rain forest country. In the jungle the birds' sympathetic human protectors Linda and Tulio (no... (read more)

      • The Unknown Known poster image

        The Unknown Known

        Michael Phillips, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips The crucial Rummyism in the life, lexicon and flamboyantly knotty verbiage of former U.S. Secretary of Defense Donald Rumsfeld isn't the infamous "known knowns/unknown knowns/known unknowns" briar patch. Rather, it's found in one of Rumsfeld's thousands of "snowflakes," internal memos to various colleagues, subordinates and superiors and, often, wee dictations to himself for future use. It goes like this: &qu... (read more)

      • Mr. Peabody & Sherman poster image

        Mr. Peabody & Sherman

        Michael Phillips, Chicago Tribune

        Michael Phillips We bring to the movies whatever childhoods we had, and whatever television we watched to keep real life at bay, one half-hour at a time. The frantic, occasionally funny new animated feature "Mr. Peabody & Sherman" is a 3-D big-screen version of a defiantly 2-D (if that) and utterly fantastic early 1960s artifact, endlessly replayed on television throughout the '70s and beyond. If you want this movie reviewed by somebody with less love for the original, try a differe... (read more)

      • Elaine Stritch: Shoot Me poster image

        Elaine Stritch: Shoot Me

        Michael Phillips, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips "Everybody's got a sack of rocks," Elaine Stritch says, quoting her late husband, John Bay. Some people don't let you know it. Some people do. The 89-year-old Broadway, TV, movie and cabaret star never lets you forget it. Swinging her particular rock sack with as much panache as her body will allow, Stritch makes her life a perpetual 11 o'clock number, celebrating strength through adversity, self-inflicted or otherwise... (read more)

      • Finding Fela poster image

        Finding Fela

        Sheri Linden, Chicago Tribune

        By Tribune Newspapers Critics, Tribune Content Agency Film Clips An audacious performer and iconoclast, the Nigerian musician Fela Kuti proves a challenging subject for a conventional documentary. That's a theme of sorts in Alex Gibney's "Finding Fela!," which is admirably comprehensive but disappointingly short on emotional impact. Amid the densely packed mix of archival material and talking-head interviews, the footage and audio recordings of Fela himself are often electrifying, w... (read more)

      • American Hustle poster image

        American Hustle

        Michael Phillips, Chicago Tribune

        My favorite minute of movie this year comes early in David O. Russell's "American Hustle." Christian Bale's character, the con man Irving Rosenfeld, based on the real-life Abscam linchpin Mel Weinberg, is riding high: His small-time investment scams, conducted with his wily mistress (played by Amy Adams), keep growing more profitable, and they're falling in love. Backed by the great Broadway finger-snapper "I've Got Your Number," Bale and Adams dance their way across a Man... (read more)

      • The Hunger Games: Catching Fire poster image

        The Hunger Games: Catching Fire

        Michael Phillips, Chicago Tribune

        "The Hunger Games: Catching Fire" is a lot like its own celebrity heroine, Katniss Everdeen, who begins this second "Hunger Games" movie fulfilling a public relations tour as penance for her killer -- literally, killer -- popularity. She is adored by millions; the books are too. The three Suzanne Collins novels, to be spread across four films, are being adapted with both eyes on fidelity to the source material. All "Catching Fire" had to do was to show up, look g... (read more)

      • Free Birds poster image

        Free Birds

        Roger Moore, Chicago Tribune

        "Free Birds" is more proof, as if 2013 needed it, that Hollywood has almost killed the animated goose that laid the golden egg. No matter that in this case the goose is a turkey. You didn't need to be told that. But a year that has produced the clever and heartfelt "The Croods" and the passably amusing "Despicable Me 2" has also had a healthy dose of sausage factory about it. "Epic," "Monsters University," "Planes," "Escape from... (read more)

      • The Croods poster image

        The Croods

        Michael Phillips, Chicago Tribune

        It's "Ice Age" with humans and less ice. "The Croods" began life nearly a decade ago as "Crood Awakening," a collaboration of DreamWorks Animation and Aardman Studios, with a script co-written by John Cleese. Then Aardman, creators of the great Wallace & Gromit and the very good "Chicken Run," fell out of the development. Years later, here we are: Another DreamWorks movie perpetually on the run, desperately full of action because slapstick violence tran... (read more)

      • Beautiful Creatures poster image

        Beautiful Creatures

        Michael Phillips, Chicago Tribune

        When classy, pedigreed British actors go hog-wild under the flowering dogwood trees of a Southern Gothic setting, often the results are good. Just as often, they're so bad they're good. And sometimes, as is the case with Jeremy Irons and Emma Thompson in "Beautiful Creatures," they're simply doing the best they can under the circumstances. Many in the target teen audience for this romantic fantasy, taken from the young-adult novels by Kami Garcia and Margaret Stohl, will be unfamili... (read more)

      • The Hobbit: An Unexpected Journey poster image

        The Hobbit: An Unexpected Journey

        Michael Phillips, Chicago Tribune

        "The Hobbit," the first of three movies to be yanked out of J.R.R. Tolkien's single novel, comes from Mister Middle-earth: Peter Jackson, who thrilled Tolkien fans worldwide with his lavish screen version of the "Lord of the Rings" trilogy. It's a moderately engaging launch to the adventures of Bilbo Baggins, the homey fellow temperamentally ill-suited to quests involving dragons and goblins and orcs. The many-hands screenplay by Jackson, Guillermo del Toro (originally sla... (read more)

      • Life of Pi poster image

        Life of Pi

        Michael Phillips, Chicago Tribune

        "Life of Pi," Yann Martel's beautiful little book about a young man and the sea and a tiger, has transformed into a big, imposing and often lovely 3-D experience. If the results are less about poetry and wonder than the digital and cinematic engineering designed to evoke those things, with this story -- so very, very unlikely to succeed in any other medium -- "good" is achievement enough. The guiding hand belongs to Ang Lee, a director of versatile tastes, catlike patience... (read more)

      • Rise of the Guardians poster image

        Rise of the Guardians

        Roger Moore, Chicago Tribune

        DreamWorks Animation CEO Jeffrey Katzenberg recently lamented the dearth of holiday-themed movies headed to your multiplex this year. But in foisting "Rise of the Guardians" upon unsuspecting audiences for the holidays, it's clear he just wanted to take some of the pressure off this joyless, soul-dead piffle. "Guardians" is the worst animated movie to ever wear the DreamWorks logo. It's based on William Joyce's "The Guardians of Childhood" books, about a team tha... (read more)

      • The Twilight Saga: Breaking Dawn Part 2 poster image

        The Twilight Saga: Breaking Dawn Part 2

        Michael Phillips, Chicago Tribune

        The fifth and very likely final "Twilight" picture boasts one moment, perhaps three or four seconds in length, so delightfully intense and uncharacteristically juicy that the rest of the film -- most of the rest of the whole series, in fact -- looks pretty pale by comparison. Not vampire pale. Paler. I refer to Michael Sheen as Aro, chief executive officer of the undead Volturi and the president of the Gleeful British Ham Actors Union. At the moment in question, Aro mistakenly belie... (read more)

      • Ice Age: Continental Drift poster image

        Ice Age: Continental Drift

        Michael Phillips, Chicago Tribune

        First came the God particle, the Higgs boson. Then came ``Ice Age (2002). Then, ``Ice Age: The Meltdown (2006). Then ``Ice Age: Dawn of the Dinosaurs (2009). And now arrives ``Ice Age: Continental Drift, informally known as ``Ice Age 4, also known as a paycheck and a likely haul for all involved at Blue Sky Studios and 20th Century Fox. The new picture contains a valuable lesson in recycling. It opens with what I believe is a slightly abridged version of ``Scrat's Continental Crack-Up, the ``... (read more)

      • To Rome With Love poster image

        To Rome With Love

        Michael Phillips, Chicago Tribune

        If it's a zinger capped by the phrase "leper colony," if there's a hotel room being broken into by house detectives, if it's Penelope Cruz spilling out of an outfit borrowed from Mira Sorvino in "Mighty Aphrodite," then it's time for the new Woody Allen film. His latest overseas postcard, "To Rome With Love," lacks the clean lines and payoffs of "Midnight in Paris." On the other hand, it's not painful the way "Whatever Works" was, or a dullard... (read more)

      • Ted poster image

        Ted

        Michael Phillips, Chicago Tribune

        Like "The Hangover" and its sequel, "Ted" is a bully of a comedy but a bully with just enough calculated heart to make it a hit. It plays like a movie tryout for a TV series, specifically a Seth MacFarlane series, which means a high quotient of startlingly crude ethnic and cultural stereotypes leavened by a sincere appreciation for American popular music of another era. The movie's soundtrack promises old-time sentiment and heartfelt pathos, with a little swing. The jokes,... (read more)

      • Madagascar 3: Europe's Most Wanted poster image

        Madagascar 3: Europe's Most Wanted

        Colin Covert, Chicago Tribune

        "Madagascar 3: Europe's Most Wanted" is one of the fanciest, most carefully assembled cartoons ever put on the screen. The jokes come so fast that they're nearly subliminal. Plot points whiz by, and when things threaten to blur, there's a crazy musical number or a tightly worked out physical comedy routine involving a hippo or a penguin. Then it's back on the bullet train. Your brain goes breathless and giddy struggling to keep up. Like the last "Madagascar" installment, t... (read more)

      • Snow White and the Huntsman poster image

        Snow White and the Huntsman

        Michael Phillips, Chicago Tribune

        Better and more darkly imaginative than its headache of a coming-attractions trailer suggests, "Snow White and the Huntsman" follows another Snow White re-do, "Mirror Mirror," into theaters by two months and two days. That's not much time for audiences to get re-interested in another twist on a classic fairy tale. But they should. The story elements going back to the early 19th century Brothers Grimm version remain present, with tweaks. Snow White, the daughter of the king... (read more)

      • Battleship poster image

        Battleship

        Roger Moore, Chicago Tribune

        There will be bigger movies this summer, and better ones and worse ones. But there will not be a dumber movie than "Battleship." Ponderous and pandering, shameless and head-slappingly silly, this Navy vs. Aliens epic delivers a few thrills and a few laughs. In between the head-slaps, that is. A pointless prologue establishes that NASA has sent signals to a distant Earth-like planet. Warnings from one scientist (Hamish Linklater, of "The New Adventures of Old Christine," ha... (read more)

      • John Carter poster image

        John Carter

        Michael Phillips, Chicago Tribune

        Set on Earth and Mars, the new science-fiction bash "John Carter" isn't much -- or rather, it's too much and not enough in weird, clumpy combinations -- but it is a curious sort of blur. And it was directed by Andrew Stanton, making his live-action feature debut after the Pixar successes he helmed, "Finding Nemo" and the splendid "Wall-E." He has the courage of his convictions; with Disney suits breathing down his neck, through all sorts of reshoots, he has made ... (read more)

      • Arthur Christmas poster image

        Arthur Christmas

        Michael Phillips, Chicago Tribune

        Five years ago, the Bristol, England-based Aardman animation folks -- who created the stop-motion legends Wallace and Gromit and Shaun the Sheep and therefore are eligible for sainthood -- made the digitally animated British/American co-production "Flushed Away." Jampacked with peril, if not with charm, the film had both eyes on a crossover American audience that never materialized. Now comes happier news: a much better film. The company's second digitally animated feature, billed a... (read more)

      • A Very Harold & Kumar Christmas poster image

        A Very Harold & Kumar Christmas

        Michael Phillips, Chicago Tribune

        Comic effrontery is the Bic that lights the bong in the "Harold & Kumar" movies, but willfully strained outrageousness can turn sour like that. For a definition of "that," there's "A Very Harold & Kumar 3D Christmas," the weakest of the three. Here, the boy-men -- now 30ish men-boys, dealing with adult concerns and relationships, in addition to their perpetual White Castle jones -- hunt down a Christmas tree, mix it up with Ukrainian gangsters, briefly turn into ... (read more)

      • Horrible Bosses poster image

        Horrible Bosses

        Michael Phillips, Chicago Tribune

        You can practically hear little coils of contempt tightening inside Jason Bateman every time he's in a pickle on screen. In the new comedy "Horrible Bosses" the Bateman specialty is the are-you-trying-to-tell-me response. At one point in the film, when confronted with some improbable information, the "Arrested Development" alum asks one of his partners in idiot crime: "You found a hit man online?" "Horrible Bosses" is not Noel Coward, nor is it trying t... (read more)

      • Water for Elephants poster image

        Water for Elephants

        Michael Phillips, Chicago Tribune

        Like "The Notebook," but with an elephant, the unexpectedly good film version of "Water for Elephants" elevates pure corn to a completely satisfying realm of romantic melodrama. This adaptation of the Sara Gruen best seller, set in a storybook edition of Depression-era 1931, stars Robert Pattinson of the "Twilight" franchise as Jacob, the earnest son of Polish immigrants, "a veterinary student from the wrong side of the tracks" as 20th Century Fox's pub... (read more)

      • Rio poster image

        Rio

        Michael Phillips, Chicago Tribune

        Midway through one in a manic string of chase sequences in the animated "Rio," the uptight macaw voiced by Jesse Eisenberg says, "I would love to go five minutes without almost getting killed." This is the movie's strategy: near-perpetual peril, dialogue that's ... almost funny and an extremely bright color palette, plus the musical supervision of the great Sergio Mendes, whose LPs I still have in the house somewhere, my tastes' not having changed much since 1966. Re-heari... (read more)

      • The Fighter poster image

        The Fighter

        Michael Phillips, Chicago Tribune

        Six years ago Clint Eastwood's "Million Dollar Baby" showed up late in the release calendar and walloped enough fans of boxing melodrama cliches to send it straight to the Academy Awards. Now comes "The Fighter," an off-center but exceptional boxing film that I prefer in every aspect, especially one: It feels like it comes from real life as well as the movies. Set and shot mostly in Lowell, Mass., with a wonderful eye for atmosphere, this one took a long time to get made. ... (read more)

      • Harry Potter and the Deathly Hallows: Part 1 poster image

        Harry Potter and the Deathly Hallows: Part 1

        Michael Phillips, Chicago Tribune

        We have reached the semifinals. Staffed with half the best character actors in Great Britain, "Harry Potter and the Deathly Hallows: Part 1" brings the seventh J.K. Rowling tale to market, reminding both fervent Hogwarts maniacs and the Potter-ambivalent of this series' priorities, its increasingly somber tone, as well as its dedication to one of the rarest of all franchise qualities: actual quality. At this point in Harry's anguished saga, the saga doesn't care much about the needs... (read more)

      • Scott Pilgrim vs. the World poster image

        Scott Pilgrim vs. the World

        Michael Phillips, Chicago Tribune

        It's easy to make a movie in a style approximating that of a comic book or graphic novel. "Sin City" did it. "Road to Perdition" did it. "Watchmen" and "Kick-Ass" did it. As did "Ghost World." Except for that last one, the others fell short as movies because they mistook visual replication for authenticity. They were storyboards based on storyboards, not films. "Scott Pilgrim vs. the World" is different, and not just because it's fun... (read more)

      • Inception poster image

        Inception

        Michael Phillips, Chicago Tribune

        Sometimes the first adjective spoken in a movie speaks volumes. The first one you hear in the new thriller "Inception" is "delirious," describing the psychological state of a man, played by Leonardo DiCaprio, who has washed up (or awakened) on a beach and is brought into the home of a wealthy man he has known in other circumstances, somewhere in time. "Delirious" describes the movie as well, which assuredly offers audiences sights heretofore unseen. Despite riffs... (read more)

      • Detestable Moi 3D Numerique poster image

        Detestable Moi 3D Numerique

        Michael Phillips, Chicago Tribune

        An agreeable jumble, the animated feature "Despicable Me" sells its 3-D in ways you wouldn't call sophisticated or witty. But you certainly notice it. Front car in a roller coaster, up, up, up, then down, down, down -- aaaaahhhhAAAAAAAHHHH!!!!!!!! Like that. And now and then, I like it like that, no matter how dubious this second coming of 3-D is starting to smell. Compared with the restrained sophistication of Pixar's approach to the technology, and in sharp contrast to such murky,... (read more)

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